a genre (usually a capella) of Black vocal-harmony music of the 1950s that evolved in New York City from gospel singing; characterized by close four-part harmonies; the name derived from some of the nonsense syllables sung by the back-up vocalists
a genre (usually a cappella) of Black vocal-harmony music of the 1950s that evolved in New York City from gospel singing; characterized by close four-part harmonies; the name derived from some of the nonsense syllables sung by the backup